The amp has standard connectivity options with a 6.3 mm jack as the instrument jack input, 3.5 mm jack as Aux-In, 3.5 mm jack as a headphone output and USB-C for charging and pc connection. The control panel is located on top of the amp and has Gain, Volume, Tone, Delay/Reverb, Drum knobs along with the receiver, channel, drum style, tap, and on-off buttons. It features 2×2” custom speakers with which it can provide stereo sound. The 10-watt amp features a rechargeable battery that allows 18 hours of continuous playing time. Mighty Air is a compact-sized amp weighing around 1.83 lbs (830 g). The technology claims that this algorithm provides the playability guitarists get from real tube amplifiers. The amp uses the white-box algorithm technology, which offers real negative feedback, increment by increment. It is called a stereo modeling amp as it provides stereo sound thanks to its built-in 2×2” speaker configuration. NUX Mighty Air is a compact size digital modeling practice amp with great features. Receiver, Channel, Drum Style, Tap, On-Offĥ00mAh, playtime: 3.5 hours, charge time: 2.5 hours Let’s take a closer look at the Nux Mighty Air Specs: General Seriesġ0 W, 18 hours playtime, 3 hours charging time The motto of the company is, “We have the same passion in creating our products as those who use our products to create.” And they do let the customers feel the passion with their innovative and budget-friendly products helping many musicians grow and create all over the world. branch to deliver their products easier to the country. The company is located in mainland China where most of its products are produced. The brand offers many digital and analog musical products for musicians all over the world. The great tone of the speakers, the huge amount of options, the portability of the speaker and the transmitter make it a great value for the buck.įounded in 2006, NUX is a brand owned by Cherub Technology. I would definitely give NUX Mighty Air Wireless practice amp 5 stars out of 5. But as this is a practice amp, that is totally acceptable. The only thing is that with some effects cranked up to high levels, the sound sometimes gets a little distorted as the speaker can not handle that much volume. There is not much to say against this amp as it gives you everything for a small price. It has a wide range of effect options, rechargeable battery, drum, and backing tracks.
#Amp reviews portable#
Its compact size makes it highly portable while featuring enough power to rock your house. It is an affordable wireless digital modeling practice amp with amazing features and premium quality sound. Even the very clean, super-articulate EMG pickups responded like they were going through a tube circuit of some kind, because the amp naturally generates a slightly spongey compression-a quality I always appreciate when playing with a pick.N UX Mighty Air steps in just at this moment. Recording this tone with a microphone in the center of the cone and no DI, the speaker sound felt better suited for aggressive pick playing than most VST amp simulators I use.
#Amp reviews driver#
No matter how aggressively I played, the Eminence driver delivered clear highs and lows without breaking a sweat. Very impressive! To achieve more aggressive pick tone, I engaged the ultra hi and ultra lo switches and added midrange from the EQ section to offset the heavy scoop generated by the preset filters.
#Amp reviews full#
For starters, the -15db input did its job beautifully, even when I ran the Spector’s onboard EQ at full boost. At 34 pounds, the RB-115 is relatively light, too.Īs a longtime fan of the ultra lo boost on older SVT models, I longed to see how the RB-115 handled the switch to hard rock tones, so I grabbed a pick and a Spector Euro LX 4 with active EMG pickups.
The checkered pattern vinyl and silver cloth grille, by the way, are nice nods to tradition and make the combo look a lot like a B-15 at a glance. A DI with a ground lift switch rounds out the features on the back panel. The rear section of the RB-115 features a group of ¼" inputs: effects send/return, external speaker out, and a footswitch in to engage the SGT distortion circuit. One offers a -15db pad for active basses. The Rocket RB-115 features two separate instrument inputs. This section includes an on/off switch and rotary controls for grit and level. On the opposite side of the panel are controls for the SGT overdrive. The 1/8" jacks for headphones and aux-in are located immediately adjacent to this section. There are also push buttons for the ultra hi and ultra lo boost/cut functions that take the place of an SVT’s rocker switches. It includes knobs for volume, bass, midrange, and treble. A classic, straightforward SVT-style control layout makes up most of the RB-115’s top panel-a welcome and reassuring sight.
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